The article explores how Shakespeare's 'Julius Caesar' creatively transforms historical sources, particularly Plutarch's 'Parallel Lives,' to present a double tragedy focusing on both Caesar and Brutus. It examines Shakespeare's structural and thematic deviations from historical accounts, emphasizing the interplay of historical fidelity and creative liberty. The analysis highlights Shakespeare's use of temporal structure, prophetic visions, and character speech to enhance the dramatic effect and underscore the parallel lives of Caesar and Brutus. The article concludes that Shakespeare's adherence to and transformation of historical fetters result in a unique artistic and aesthetic liberation.

A comprehensive collection of the works of William Dunbar, edited by John Conlee, published by Medieval Institute Publications in Kalamazoo, Michigan in 2004. The text focuses on medieval literature and studies, particularly highlighting the contributions of Scottish poet William Dunbar.

Shelby Judge provides a critical response to Lena Linne's article on twenty-first-century myth writing, focusing on feminist adaptations of Greek myth. Judge highlights the literary trend of women writers adapting Greek myths with feminist aims, referencing works by authors such as Margaret Atwood, Ursula K. Le Guin, Madeline Miller, Pat Barker, and Daniel Mendelsohn. The response delves into the metageneric qualities of these texts and their commentary on Homeric epics, with a particular focus on the portrayal of Helen in Natalie Haynes's 'A Thousand Ships'. Judge also discusses the broader implications of this literary phenomenon and its significance in contemporary novelistic adaptations of Greek myth, inviting further academic research in this area.

Following the devastating 1966 earthquake in Tashkent, Uzbekistan, the city was rebuilt with a unique blend of socialist modernity and Uzbek heritage, known as 'Tashkent modernism'. Today, Uzbekistan is leveraging its cultural assets to position itself as a major global cultural player. The government-backed Art and Culture Development Foundation (ACDF) is spearheading efforts to preserve modernist architecture, aiming for UNESCO World Heritage Site status, and promoting Uzbek culture internationally. President Shavkat Mirziyoyev, who succeeded the oppressive Islam Karimov, has introduced reforms to open the country to foreign investment and tourism, and foster a more liberal domestic environment. Despite criticisms of cultural initiatives benefiting the authorities rather than the people, the ACDF's projects, including international exhibitions and a new Centre for Contemporary Art, signal Uzbekistan's commitment to cultural development.

The State Silk Museum in Tbilisi, housed in a historic 1891 building, showcases the world's largest collection of silkworm cocoons and other sericulture artifacts. Established by the tsarist authorities and designed by architect Alexander Szymkiewicz, the museum has preserved its 19th-century charm while evolving into a contemporary art space. Key figures like Nikolai Shavrov and Irina Chotorlishvili played crucial roles in its history. Despite the collapse of Georgia's silk industry, the museum remains a vital cultural institution, now under the protection of the Ministry of Culture.

The article explores the complex genre classification of John Webster's play 'The Duchess of Malfi,' examining its elements of tragedy and Trauerspiel. It discusses the historical and critical reception of the play, highlighting the protagonist's death, lack of anagnorisis, and the chaotic fifth act. The analysis draws on Walter Benjamin's concept of Trauerspiel to offer new insights into the play's structure and themes, suggesting that Webster's work is a generic transaction between classical tragedy and baroque Trauerspiel. The article also considers the play's historical context, including the decline of the aristocracy and the evolving role of women in Jacobean society.

Lewis Carroll, also known as Charles Lutwidge Dodgson, passed away on January 14, 1898, after a brief illness. His death was marked by international mourning and a memorial service at Christ Church Cathedral. Carroll's works, particularly the Alice-books, continue to be celebrated for their humor and imaginative storytelling. The article reflects on Carroll's life, his final days, and the enduring legacy of his literary contributions.

James Birch's memoir recounts his efforts to stage an exhibition of Francis Bacon's work in the Soviet Union during the 1980s, highlighting the challenges of navigating both Soviet and Western bureaucracies. The exhibition, held in Moscow in 1988, was a significant cultural event during perestroika, attracting 400,000 visitors. The book provides insights into the art world of the time, featuring notable figures like Grayson Perry and Paul Raymond, and reflects on the broader political and cultural shifts, including the eventual collapse of the USSR and the current state of Russian-Western relations.

In the late 1930s, Dmitri Gonashvili rediscovered the ninth-century Sabereebi monastery in Georgia, a complex of cave churches adorned with extraordinary frescoes. The site, abandoned since the Seljuk or Mongol invasions, features unique architectural designs and frescoes by multiple artists. The monastery is part of a larger religious landscape established by Saint Davit Garejeli in the fifth century. Despite its rediscovery, the area remains largely unexplored, with new monastic sites still being found. The article highlights the historical and cultural significance of Sabereebi and the ongoing efforts to preserve its heritage.

Salomé Jashi's documentary 'Taming the Garden' explores the bizarre and disturbing spectacle of billionaire Bidzina Ivanishvili uprooting centuries-old trees from Georgia's Black Sea coast to transplant them to his private garden. The film captures the herculean efforts to move these trees, the environmental destruction caused, and the mixed reactions of the local villagers. While some villagers benefit from new roads and financial compensation, others mourn the loss of their beloved trees and the devastation of their landscape. The film serves as a powerful commentary on megalomania and the consequences of bending nature to human will.

The article discusses the potential of portable molecular diagnostic devices, particularly nanopore sensors, to address global health and agricultural challenges. It highlights the importance of accessible, sensitive, and low-cost diagnostics for improving health outcomes and sustainable agriculture. The article emphasizes the need for such technologies in resource-poor settings and mentions a significant grant from the Bill & Melinda Gates Foundation to support the development of nanopore detection for tuberculosis. The potential applications of nanopore sensors in both agriculture and medicine are explored, showcasing their ability to provide precise diagnostics in various environments.

Giorgi Margvelashvili, Georgia's fourth president, initially perceived as a puppet of Bidzina Ivanishvili, proved to be an independent and honorable leader. Despite immense pressure from the Georgian Dream government, he maintained his integrity, vetoing controversial legislation and using his presidential powers judiciously. His presidency was marked by a calm and dignified response to constant criticism, and his liberal instincts provided a moderating influence in Georgian politics. As he leaves office, his tenure is seen as a valuable period of moderation amidst increasing political polarization.

Hundreds of riot police raided Tbilisi's Café Gallery and Bassiani nightclubs, ostensibly targeting drug dealers but arresting none. The raids were perceived as an attack on the young, non-conformist, pro-western, and LGBT-friendly community. The government's actions sparked outrage, leading to a two-day rave protest and a violent neo-Nazi rally. Interior Minister Giorgi Gakharia issued an unprecedented apology. The events highlighted the need to repeal Georgia's draconian drug laws, which harm individuals and hinder the country's democratic progress. The White Noise movement's long-standing call for reform was validated, but the government's authoritarian tendencies remain a concern.

Mikheil Saakashvili, known as Misha, is leaving office after a decade as Georgia's president, leaving behind a legacy of both adoration and revulsion. His presidency was marked by authoritarian practices, but also significant improvements in Georgia's infrastructure, economy, and international standing. Despite his failures, including a war with Russia and embracing American neo-Conservatives, the author expresses a nostalgic admiration for Saakashvili's achievements and his impact on making Georgia feel like a modern country.

During Mikheil Saakashvili's nine-year presidency in Georgia, the pop charts became a battleground reflecting political tensions. Songs like 'Misha Magaria' and 'Deda Ena' mirrored public sentiment and political events, from the Rose Revolution to the conflicts in Abkhazia and South Ossetia. Despite facing opposition and controversies, including the 2008 war and prison abuse scandals, Saakashvili's tenure saw a blend of political and musical expression. The article highlights key songs and their political implications, offering a unique lens on Georgia's recent history.