An Actress 'Cartridge Color'

Actress and screenwriter Claudia Muñiz discusses her experiences with racism and exoticization in the acting world, particularly in Spain where she feels uncomfortable with unwanted physical attention. She recalls her mother introducing her as a 'pretty mulatica,' a term she later understood as part of racial discrimination. Muñiz has faced challenges in being cast for roles due to not fitting into stereotypical racial categories. She has worked on various projects, including co-writing the film 'Marina' and acting in '7 Days in Havana.' Muñiz is developing a series called 'Papel Cartucho' through crowdfunding, which will explore her experiences and those of others facing similar racial ambiguities. The series aims to address the complexities of racial identity and the feeling of not belonging to any particular racial group.

Elena Llovet: Subverting the Narrative Managed by the Left About Cuba, Committing the Body

Elena Llovet, a Cuban artist with a background in theater, discusses her efforts to subvert the leftist narrative about Cuba by engaging deeply with her personal experiences and body in her art. She highlights the constant state of vigilance and paranoia experienced by Cuban artists and the challenges of expressing her reality in a politically charged environment. Llovet's work aims to deconstruct idealized views of Cuba, particularly those held by leftist intellectuals and artists, by incorporating elements of performance and personal biography. Her research delves into themes of violence, both in the context of sexual work in Cuba and political violence in leftist circles in Spain. Llovet emphasizes the importance of committing the body to her art to challenge and expand the boundaries of socially accepted norms.

Cuba, better not to talk about it

Carlos Liscano, an Uruguayan writer and former Tupamaru militant, asserts in his book 'Cuba, de eso mejor ni hablar' that after visiting Havana in 1987, he realized that if he were Cuban, he would be imprisoned. He describes the popular revolution promoted by the Castro regime as a complete deception.

La historia de la Orquesta Hermanos Castro, la primera jazz band constituida y dirigida por músicos cubanos, fundada en 1929 por Manolo Castro. Diez años de investigación para dar el panorama de una época que murió por el olvido y la censura.

Sobre racismo estructural e institucionalizado en Cuba, y como consecuencia, enjuiciamientos basados en perfiles raciales y brutalidad policial sin justicia.

Reportaje de investigación sobre personas que viven entre las ruinas en Cuba. A Jorge Luis y a Elizabeth les fue más fácil salir del país que reconstruir su casa. A partir de su historia, datos y más derrumbes en Cuba.

"Yo tengo un sueño" es un podcast creado para que hablen los cubanos a los que la dictadura no les ha podido frustrar sus metas y para que las compartan con otros a punto de perder las esperanzas.

Learn to Smile at Life

Bertha Soler is portrayed as an exceptionally free-spirited woman whose smile and welcoming nature remain untainted despite the challenges she faces. The narrative highlights her singular passion for Cuban freedom, overshadowing her personal dreams and passions.

I still have to learn to sing

Gema Corredera, despite feeling she still has much to learn about singing, embodies a hopeful and resilient spirit. She speaks about Cuba, the light she finds in political prisoners, and her pride in her students. Her dream is a choir of freedom.