Rosa Vivanco, also known as Newton, is a sculptor who embraces her unconventional and indecent persona. Following the death of her husband, artist and playwright Juan José Gurrola, Rosa has experienced a renaissance in her artistic practice. Her latest exhibition, 'El Muerto,' at Galería Lodos in Ciudad de México, pays homage to George Bataille through a series of drawings and bronze sculptures. The exhibition, curated by Pepx Romero, includes a musical selection by Andrea Ferreyra and a book featuring the first publication of Raúl Falcó's translation of Bataille's 'El Muerto,' illustrated by Newton. Rosa reflects on her life, her artistic journey, and her admiration for Bataille, while also discussing her personal struggles and triumphs. The text is a deeply personal and subjective account of her experiences and artistic philosophy.

The article discusses the work of Venezuelan artist Gego, emphasizing the critical and aesthetic dimensions of her art, particularly in the context of Venezuelan modernism and public art. It reflects on the decay and transformation of Gego's public installations over time, interpreting them not as metaphors but as embodiments of a 'negative utopia.' The text also compares Gego's work with that of other Venezuelan artists like Jesús Soto, Carlos Cruz-Diez, and Alejandro Otero, highlighting her unique approach to modernism. The article was originally presented at a talk at Museo Jumex in Mexico City and relates to the exhibition 'Gego: Measuring Infinity' organized by several museums.