Azerbaijan is accused of deliberately destroying Armenian monuments in the disputed border areas of Nagorno-Karabakh. The nationalist project promoted by the Aliyev family seeks to homogenize the region, historically Armenian, by erasing cultural heritage. Evidence of systematic cultural erasure includes the demolition of Armenian churches, monasteries, and cemeteries. International researchers and institutions, such as the Caucasus Heritage Watch and the European Parliament, have documented and condemned these actions. Despite international pressure and legal frameworks protecting cultural heritage, Azerbaijan denies the existence of these Armenian sites and continues its campaign. The article suggests that international efforts and potential legal action are necessary to prevent further destruction and promote cultural reconciliation.

María Roces, a Spanish translator of Albanian language, recounts her life experiences, including her time living in Albania under Enver Hoxha's regime. Initially believing in the socialist ideals, her perspective changed after learning Albanian and realizing the oppressive nature of the regime. She discusses her involvement in political activism, both in Albania and Spain, and her role in cultural exchange through translation. The article highlights the complexities of political regimes, the importance of language in understanding a culture, and the personal journey of an individual navigating these realms.

El artículo narra la vida de Arturo Marián Llanos, un pintor moldavo-español cuya vida estuvo marcada por la rebeldía y la disidencia. Desde su infancia en la URSS, donde fue expulsado de la escuela por su rechazo al realismo socialista, hasta su vida en España, Arturo siempre estuvo en conflicto con las autoridades y las convenciones sociales. Se involucró con grupos neonazis y el Partido Nacional Bolchevique, y su arte reflejaba su lucha interna y su rechazo a la civilización occidental. A pesar de su talento, su estilo vanguardista y su conocimiento profundo del arte, Arturo tuvo problemas para comercializar su obra debido a su personalidad y su constante estado de intoxicación. Pasó varios periodos en prisión, donde continuó desarrollando su arte y su pensamiento político. Al final de su vida, se convirtió al islam y mantuvo una postura crítica hacia el gobierno de Putin. Arturo falleció en 2016, dejando un legado de arte y una vida marcada por la controversia y la búsqueda de una revolución cultural y política.

The No Name Kitchen (NNK), an NGO assisting refugees in their journey to Europe, has faced challenges due to the pandemic, including halted operations and increased pressure from police and ultranationalist groups. The NGO has bases in Serbia, Bosnia, Montenegro, Greece, and Melilla, each facing unique difficulties. In Serbia, volunteers were forced to leave, and the military has been rounding up refugees. In Bosnia, NNK is working with local volunteers and bakeries to distribute food. Montenegro's efforts are focused on medical support, while in Greece, information on COVID-19 prevention is being disseminated. Melilla's situation is dire, with overcrowded centers and inadequate living conditions for refugees. The pandemic has given authorities a perceived sense of impunity, exacerbating the already challenging circumstances for refugees at the edges of Europe.

The article explores the moral and psychological aftermath of the nuclear bombing of Hiroshima through the experiences of Claude Eatherly, a pilot involved in the mission. It contrasts Eatherly's guilt and subsequent life choices with the lack of remorse shown by other figures such as Harry Truman and Adolf Eichmann. The piece delves into the challenges of comprehending the magnitude of nuclear destruction, as highlighted by writers like John Hersey and philosophers like Günther Anders. It also touches on the Chernobyl disaster, drawing parallels with Hiroshima in terms of the invisible and incomprehensible nature of nuclear threats. The article suggests that storytelling and narrative are crucial tools for understanding and conveying the human impact of such events.