The Protagonists, Luca Guadagnino's first feature film, is a complex and multifaceted exploration of storytelling, crime, and filmmaking. The film, which blends documentary and narrative elements, centers on the 1994 murder of Mohamed el-Sayed by Richard Elsey and Jamie Petrolini in the UK. Guadagnino's work is noted for its meta-commentary on the nature of film and narrative, as well as its exploration of the human fascination with crime. The film is described as both chaotic and intriguing, offering a glimpse into Guadagnino's evolving style and thematic interests. Despite mixed reviews, it is considered a significant piece in understanding the director's body of work.

Gary Dauberman's 2024 adaptation of Stephen King's 'Salem's Lot' is critiqued for its lack of suspense and failure to capture the atmospheric depth of the original novel. The film, which is going straight to streaming in the US, is compared unfavorably to previous adaptations, particularly Tobe Hooper's 1979 miniseries. The review highlights the film's rushed narrative, lack of character development, and overexposure of the vampire premise, which diminishes suspense. Despite decent performances from the cast, the film is described as one of the worst King adaptations, lacking the dread and engagement expected from a horror movie.

The Platform 2, directed by Galder Gaztelu-Urrutia, is a follow-up to the successful Netflix film The Platform. The film draws thematic parallels to George Orwell's Animal Farm, particularly in its depiction of freedom fighters becoming oppressors. While some suggest it may be a prequel due to the return of a character who died in the first film, the narrative coherence remains a point of contention. The film is noted for its increased action and bloodshed, though it may lack clarity in its storytelling.

The Platform 2, directed by Galder Gaztelu-Urrutia, is a follow-up to the successful Netflix film The Platform. The film explores themes of social hierarchy and economic disparity within a prison-like structure called the Vertical Self-Management Centre. While the first film critiqued capitalism, the sequel introduces a new set of rules that resemble hardline socialism, drawing parallels to Orwell's Animal Farm. Despite a strong beginning, the film's narrative becomes muddled, failing to convincingly tie together its metaphorical elements. The film's premise remains vague, and its prequel status is unclear. The Platform 2 is criticized for its lack of coherent narrative and metaphorical structure, though it retains some powerful moments and visual elements.

Fail Safe, directed by Sidney Lumet, is a tense Cold War film exploring the dangers of over-reliance on technology in nuclear strategy. The film, based on a novel by Eugene Burdick and Harvey Wheeler, highlights the risk of accidental nuclear war due to malfunctioning systems and communication issues. Despite its low budget and didactic style, Fail Safe remains a powerful narrative on the potential consequences of automation and strategic theory overshadowing human judgment. The film's release was overshadowed by Stanley Kubrick's Dr. Strangelove, yet it continues to be admired for its stark portrayal of nuclear crisis management and the moral dilemmas faced by decision-makers.

Todd Solondz's film 'Happiness' (1998) is a controversial exploration of taboo subjects like paedophilia and pre-teen sexuality, presented in a darkly comedic tone. The film, set in New Jersey and New York City, follows a fragmented family dealing with complex issues, particularly focusing on Bill Maplewood, a character who embodies both a loving father and a paedophile. The narrative challenges societal norms by portraying offenders as seemingly respectable individuals. Despite its unsettling themes, the film is noted for its humor and poignant depiction of real-life complexities. The film's release faced significant backlash, affecting Solondz's career trajectory, yet it remains a critical piece of independent cinema. The review highlights the film's unique narrative structure, strong performances, and its ability to provoke thought and discussion on difficult topics.

The Train (1964), directed by John Frankenheimer, is a gripping war action thriller set in August 1944, focusing on the French Resistance's efforts to prevent Nazi Germany from transporting a vast collection of stolen artworks from France. The film explores the moral conflicts of valuing art over human lives, with Burt Lancaster playing the protagonist, Labiche, who becomes embroiled in a personal battle against the Nazi officer Waldheim, portrayed by Paul Scofield. The film is noted for its quasi-realistic style, dynamic cinematography, and moral ambiguity, questioning the self-destructiveness of patriotism and the folly of war. Despite not being a major box office success, it is praised for its craftsmanship and intelligence, offering a thought-provoking narrative without resorting to overtly meaningful scenes.

Basil Dearden's 'Cage of Gold' is reissued by StudioCanal under its 'Vintage Classics' label, though it stretches the definition of a classic. The film, set in postwar London, follows Judy, a painter torn between two men: the callous Bill and the uncomplicated Alan. Despite strong performances, particularly by David Farrar as Bill, the film lacks the hard-hitting impact of true noir. It features contributions from Ealing Studios regulars and aims for a noir style, with impressive visuals and a snappy script by Jack Whittingham. However, the film's narrative and character development are seen as lacking depth, and it ultimately presents a more conservative storyline than its premise suggests.

Paths of Glory, directed by Stanley Kubrick, is a war film that received no Academy Award nominations in contrast to the celebrated The Bridge on the River Kwai. The film, shot in black-and-white, presents a critical view of military leadership and condemns the narrow-mindedness and self-serving ambition of officers during World War I. Kubrick's film is noted for its tight, economical storytelling and mature filmmaking, with a focus on the human element and the consequences of war. The article compares Paths of Glory to other war films and Kubrick's own filmography, highlighting its unique perspective and lasting impact. The film's recent 4K Ultra HD Blu-ray release is mentioned, offering a high-quality viewing experience with special features for enthusiasts.

Brian De Palma’s Carrie is renowned for its iconic prom scene and as the first adaptation of a Stephen King novel, significantly contributing to King's rise to fame. The film is notable for its sympathetic portrayal of the 'demon child' character, Carrie White, played by Sissy Spacek.