The article discusses the widespread phenomenon of parodies of Grant Wood's painting 'American Gothic,' exploring why this particular artwork has become the most parodied piece. The painting, created in 1930 and depicting two Iowan farmers, became iconic after a controversy following its third-place win at a competition at the Art Institute of Chicago. Iowans felt misrepresented, which sparked a debate and brought the painting into the limelight. Wood defended his work, stating it was a truthful characterization of people he knew. The article suggests that the painting's fame and the simplicity of its imagery make it easily adaptable for parodies. It also touches on the background of the painting, including the inspiration Wood took from a white cottage house in Iowa and the fact that the models were not farmers but his dentist and sister. The article concludes by comparing the number of parodies of 'American Gothic' to those of other famous paintings like 'The Mona Lisa' and 'The Scream,' noting that 'American Gothic' is particularly memorable for its adaptations.

The article highlights the week's notable news, which includes the rise in popularity of new influencers created using artificial intelligence and tips on how to prevent data loss in Google Drive. However, the article does not provide detailed information on specific companies or influencers, nor does it offer in-depth advice on data protection. It seems to be a brief overview of trending topics in the technology sector.

The article discusses the posthumous discovery of Masha Ivashintsova's photography, a talented photographer from Leningrad, USSR (now Saint Petersburg). Ivashintsova captured everyday life, nature, and urban scenes with her Leica and Rolleiflex cameras from 1960 to 1999 but never shared her work publicly. Her daughter found over 30,000 of her photographs, mostly undeveloped, after Ivashintsova's death in 2000. The article reveals Ivashintsova's struggles with mental health and her connection to Leningrad's underground poetry and photography movement. Her family has created a website and an Instagram account to share her work and hopes to organize a gallery exhibition. The article also mentions other historical photographs from around the world.

The article discusses the historical oversight of women artists, focusing on the case of Baroness Elsa von Freytag-Loringhoven, a German Dadaist artist and poet. It suggests that Marcel Duchamp's famous work 'Fountain' may have actually been conceptualized by the Baroness, not Duchamp himself. The Baroness was a flamboyant figure in the New York City art scene, known for her eccentric fashion and poetry. Despite her contributions, she remained unrecognized for a long time, with her book of poems published posthumously in 2011. The article explores the possibility that Duchamp took credit for her work, based on a letter he wrote to his sister. It also mentions other works by the Baroness that are now being re-evaluated. The piece argues for the Baroness's rightful place in art history as a pioneer of modern art and possibly the 'Mother of Conceptual Art'.